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Manmohan Desai went on to successfully exploit the genre in the 1970s and 1980s.

Though the movement was mainly led by Bengali cinema, it also began gaining prominence in Hindi cinema. Early examples of films in this movement include Dharti Ke Lal (1946) directed by Khwaja Ahmad Abbas and based on the Bengal famine of 1943, Dutt is now regarded as one of the greatest Asian filmmakers of all time, alongside the more famous Indian Bengali filmmaker Satyajit Ray.

The 2002 Sight & Sound critics' and directors' poll of greatest filmmakers ranked Dutt at No. and with both Pyaasa and Kaagaz Ke Phool (1959) tied at No.

Mithun Chakraborty, Naseeruddin Shah, Jackie Shroff, Sanjay Dutt, Anil Kapoor and Sunny Deol, which lasted into the early 1990s.

Actresses from this era included Hema Malini, Jaya Bachchan, Raakhee, Shabana Azmi, Zeenat Aman, Parveen Babi, Rekha, Dimple Kapadia, Smita Patil, Jaya Prada and Padmini Kolhapure.

In the 1940s, many actors, filmmakers and musicians in the Lahore industry migrated to the Bombay industry, including actors such as K. Saigal, Prithviraj Kapoor, Dilip Kumar and Dev Anand and singers such as Mohammed Rafi, Noorjahan and Shamshad Begum.

Around that time, filmmakers and actors from the Bengali film industry based in Calcutta (now Kolkata) also began migrating to the Bombay film industry, which for decades after partition would be dominated by actors, filmmakers and musicians with origins in what is today Pakistani Punjab, along with those from Bengal.

Key to this was the emergence of the masala film genre, which combines elements of multiple genres (action, comedy, romance, drama, melodrama, musical).