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As the trip progresses, Early begins to appear more and more unstable, and Brian and Carrie begin to fear that they may have a real-life killer in the back seat of their car.

Clearly, by now, you can tell that this is not your typical odd couple type of thriller, where the city folk run into the country folk and all sorts of stereotypical mayhem ensues.

On one hand it seems a little too convenient that Brian and Carrie go on a tour of murder sites and just happen to be accompanied by a real life murderer, but on the other hand it's a great way to counteract the glorifying of murder that is inherent within a cross-country trip designed to bring fame to murderers and their crimes.

The glorification is all embodied in Brian's and Carrie's fascination with the idea of murder and the auras of the places in which is happened, but their realization, and ours, is embodied in the real thing, which they encounter with Early and Adele.